remixduello | Member Posts

Thank you for writing a story for me! I am

Isis on AO3. As long as you generally stick with things I like and avoid things I dislike, I will enjoy your story even if it doesn't take on any of my vague prompts, which are really just suggestions. All my prompts are mildly spoilery so you may want to take care expanding those sections.

If you're not feeling inspired about your assignment and want to try something else, the British Airways "May We Haveth One's Attention" Safety Video is literally a 5-minute fandom (okay, 5:22), Il Gattopardo | The Leopard (2025) is 6 1-hour episodes, and you can write my request for the Fractured Europe Sequence based only on the first 2 books (out of 4). For my Shardlake request, you need only the fifth book, but my request is spoilery and ideally you should read the book before looking at my request, which seems like a big ask!

Treats are enabled and welcome! I've included general art likes in the "nattering" section for artists interested in making Wrapping Paper treats (and if you draw me a treat I'll try to write you the story that goes with it!).

Likes: I like historical (if appropriate) and worldbuildy detail, scenery porn, what-if AUs, original characters (along with, not instead of, any requested ones, unless otherwise specified), pastiche of canon style, time travel, bodyswap, bodysharing, ghost/afterlife stories, mythological and supernatural elements, and magical realism. (These fantasy elements are welcome in canons that don’t have them, unless specified.) As you can probably tell from my specific fandom details, the setting and worldbuilding are as important to me as the characters, so I'm not a fan of AU that completely changes the setting, but if you have a brilliant idea, go for it; I would prefer "interesting" to "mundane" AUs, e.g., in SPAAAACE yes, coffeeshop no. (Coffeeshop in SPAAAACE, okay!). I would like happy endings and no major character death, though feel free to kill off original or minor characters as your story requires.

DNW: I do not want fic focusing on pregnancy or children (mentions of either are fine), A/B/O or BSDM dynamics, mundane modern AUs, or major character death (other than canon deaths). I do not want anything that contradicts the characters being cisgender as presented in canon, unless they are canonically not cisgender. I do not want fic that uses neopronouns (e.g. 'xie') – please use 'they' for nonbinary or agender characters, or whatever these characters use in canon. I do not want nonstandard capitalization or punctuation other than in the title. I very strongly prefer past tense; if you feel your story really needs to be in present tense for stylistic reasons that's fine, but I want it to be a conscious choice, not a default.

I do not want unrequested noncanon ships involving canon characters even in the background, other than those I've specifically mentioned I'm okay with. Canon ships, mentioned past relationships with OCs, and implicitly canon ships (such as people’s parents) are fine, as are OC/OC relationships. Please don't break up any specified relationships or put my requested characters in relationships other than the ones I've mentioned I like.

Other general nattering about my tastes - characters, crossovers, style, sex likes, art likes

Characters: The characters I've chosen are the ones I want the focus on, but the choice of what kind of story to write and who to include in it lies with you. Feel free to take things in whatever direction you like and/or include characters I haven't mentioned, including original characters, though please keep the focus on my requested characters (except as noted). For worldbuilding requests, feel free to use canon characters or original characters as you choose.

Crossovers: I love crossovers, but if you choose to write one, please make sure (either through checking my fic, tags [reading will find books, viewing will find movies and TV shows, games will find games, and some fandoms have tags as well; also you can check my Goodreads 'read' shelf for books, though I haven’t updated it in a while], asking my friends, or asking one of the other mods to ask me) that I know the other source. I have a particular soft spot for crossovers with real historical characters in historical-fiction fandoms.

Style: I generally prefer plot (as in, things happening; doesn't have to be elaborate or long – as contrasted with character studies), past tense, and lots of dialogue. But these are preferences, not hard DNWs, and if you have a brilliant idea that requires present tense and no dialogue, go ahead. My only hard preferences are for conventional pronouns (he/she/they as appropriate), capitalization, and punctuation. I'm happy with epistolary fic, journal entries, and other nonconventional formats, and if you want to create interactive fiction (second person is fine for this, or otherwise as you prefer), go for it! I have no preference on story length - make it as long (or as short) as it needs to be.

Sex and relationships: Explicit sex okay, non-explicit sex is okay, no sex is okay, but any sex should be in believable language for that era or fandom. UST, gen, het, slash, femslash, whatever. It's all good. I don't care for PWP, as I need at least a little context that establishes the world and those characters. I also prefer sex scenes that focus on emotions and perceptions rather than on the mechanics of what goes where: think M-rating rather than E-rating, and I'm totally fine with fade-to-black. I am rather vanilla in my preferences where kink is concerned: mouths, hands, genitals, toys, all are fine, but I am not interested in BSDM, bloodplay, watersports, spanking, or fetish play. I like kissing, touching, oral sex, penetrative sex, frottage, pegging, mutual masturbation, outdoor sex, indoor sex, and pretty much any position two bodies can contort themselves into. I am not interested in threesomes, moresomes, or poly fic in these fandoms. I am absolutely fine with a gen work in any of these fandoms.

Wrapping paper challenge art treats: I would love art for any of these fandoms! I like both serious portraits and funny little cartoons. I have a soft spot for art in which one character is doing something typical-but-alarming, and the other is rolling his or her eyes, or reacting with horror, or getting ready to douse them with a bucket of water, or whatever. Stylistically, I love interesting and experimental compositions, unusual perspectives, emphasis on textures such as hair and clothing, and scenery porn (Mountains! Trees! Cliffs with water crashing on them! Brooding ruins of an ancient castle!) and I like line drawings as well as full color. I really like stylized artwork that depends on a limited color scheme (my favorite colors are blues and greens; I also like black-and-white and grayscale), and not-too-detailed sketches that feel dynamic. I like art-pastiche such as playing cards and tarot cards, posters, and so on. If I receive any art treats, I will do my best to write a ficlet for the artist based on the art!

And now, on to the prompts!

British Airways "May We Haveth One's Attention" Safety Video: Any (Georgian Queen, Anne, George, Scots on Horseback, Worldbuilding)

I watched this homage to British costume drama (and airline safety video!) and was instantly charmed. Feel free to take it anywhere along the crack continuum that you like: is this a strange alternate world in which airplanes were invented much, much earlier? Did the historical characters time-travel forward, or the flight attendants time-travel in reverse? Did a real queen isekai into the filming of an airline safety video and just deal with it with royal aplomb? Why are Anne and George sitting in airline seats in the parlor? (Do they invite the flight attendants to their wedding?) And, the most provoking question of all: how did the Scots get seatbelts on their horses?

Additional DNW for this fandom: don't break up Anne and George! However, any other relationships here are fair game, and I'd be intrigued by something like Scot/flight attendant or Queen/pilot.

The Fractured Europe Sequence - Dave Hutchinson: Worldbuilding

I first read Europe in Autumn and Europe at Midnight nearly 10 years ago, when the "Xian Flu" was a far-fetched SF imagining and the "Global War on Terror" was not nearly so global. I'm re-reading these books now in preparation for reading the rest of the series, and let me just say it's landing rather differently.

The worldbuilding in this series delights and enthralls me! I would love anything about the splinter polities, about the Line, about the Campus or the Community or the Coureurs, on scales small (the discovery of an entrance to the Community) to large (a seemingly-stable country splitting into pieces). Past, present, or future; Europe, or beyond - what happened in Asia? In North America? while all this is happening in Europe? There are intriguing hints that the US has had a civil war, and that Texas has become its own country! The little bits of story with secondary characters hint at lots of things outside the scope of the novels that could be filled in. Or - and I don't know yet if these get answered in the books, but if it doesn't - how does mapping an alternate dimension make it spring into being? What was Mundt's "trick of topology"?

(Please note that as I write this letter, I've only read the first two books and about half of the third, but I will have read the entire series by Yuletime.)

Il Gattopardo | The Leopard (2025): Concetta Corbera di Salina

I enjoyed this costume drama set in the waning days of the Sicilian nobility and the rise of the Kingdom of Italy. I'm specifically looking for a canon-divergence AU here: please give Concetta a happy future. Maybe she runs off with Tancredi to America; maybe she runs off to Paris with Angelica! Maybe she gets married to Bombello after all, and it works out. Or perhaps she finds joy in her stewardship of the Salina estate, somehow, if you want to keep things closer to canon. I'd be intrigued with a crossover with historical RPF of the period, or any appropriate fandom I'm familiar with.

DNW a romantic relationship between Concetta and any of her siblings or parents, or Calogero, but I'm fine with her finding love with an OC, male or female, or a minor character ditto.

Warrior (TV 2019): Any (Ah Toy, Father Jun, Hong, Lai, Nellie Davenport, Wang Chao, Young Jun)

This show gave me vibes of Peaky Blinders set in the late 19th C San Francisco Chinatown Tong Wars, with a generous helping of Game of Thrones. I'd love a story about any of the nominated characters, particularly their backstory or an imagined future after the show (you are welcome to canon-divergence away canon deaths). Some specific things that interest me:
- How Ah Toy and Nellie navigate their romantic relationship (forbidden in multiple ways!)
- Lai's hero-worship of Ah Toy, her silent steadfastness, the way she blossomed at the vineyard
- Hong's ridiculous cheery attitude in the face of a thousand insults and injuries, his matter-of-fact approach to his sexuality
- Wang Chao's careful balancing act at the fulcrum of the warring tongs and the police
- The fraught father-son relationship of Father Jun and Young Jun

Please don't break up canon relationships. General DNW of unrequested noncanon ships involving canon characters applies here except for the following: I vaguely ship Wang Chao with Richard Lee (growing out of their developing understanding during their forced road-trip); Lai might be interesting with Penelope or Mai Ling, if you could figure out how to get them together, or an OC (male or female) or any other non-nominated character; Hong with an OMC or any non-nominated male character, before or after his time with Marcel. However, please feel completely free to write gen!

Matthew Shardlake Series - C. J. Sansom: Hugh Curteys

I read the first few Shardlake books a few years ago, and then read the rest of them in one fell swoop this summer. I feel like they just got better and better! Heartstone, where we meet Hugh Curteys, was possibly my favorite, because it contains one of my favorite tropes, and if you haven't read these books please stop here because MAJOR SPOILERS...

...I am absolutely weak for the "girl disguises herself as boy" plot, especially in historical contexts where women's lives are circumscribed by the prevailing social/religious attitudes. I really love the way Sansom has written Hugh here; he fully inhabits the character he has taken on for himself. Even once Shardlake figures it out, he still refers to Hugh with male pronouns, which implies to me that for Hugh, being male is not just his cover story but the identity he has chosen to live.

I'd really love a story about Hugh's new life in Antwerp working in the cloth trade, and I'm fine with it being set with him back in England talking to Shardlake, or epistolary, or just completely about Hugh with no involvement from Shardlake and the other characters. I'm fine with gen, or with him attempting a romance either with a man or a woman (original character) - it's up to you whether it goes well or disastrously, considering his secret and the setting. But please keep things firmly set within the historical context of these books.

Additional DNW for this fandom: No Hugh/Jack or Hugh/Matthew. I'm cautiously open to Hugh/Nicholas, and although there are not a lot of appropriate female characters in these books, if you can think of one, that's fine. Original characters are of course fine here.

beatrice_otter

I was re-reading some old MCU fic, and in the fic Steve says that Bucky was named for President Buchanan. Which Doylistically he was, but ... there's no reason he has to be from an in-universe perspective.

"James" was an incredibly common first name. The Social Security Administration publishes lists of how popular various names have been over the years; in the 1910s, when James and Steve were born, "James" was the third most popular name for boys. 275,000 baby boys were named "James" in that decade, which, given the size of the population, means that there were a lot of James' everywhere. Very common name.

Ah, but what of Buchanan, you say! Surely there could be no reason to give someone the middle name "Buchanan" if it's not naming him after someone famous! ... and no, actually. While people sometimes were named after famous people or political leaders (just like today), there's actually a more common reason to do it. It was a fairly common thing in the 19th Century for people to have a "last" name as a middle name, often their mother's maiden name, and people still do that today sometimes. Steve's middle name is "Grant", for example; "Grant" was a relatively common surname but (at the time) extremely uncommon as a first name. Steve was almost certainly given the middle name "Grant" to honor someone whose last name was Grant; it was probably his mother's maiden name. Buchanan is a relatively common Scottish name; it's not one of the top ten or anything, but the Buchanan clan is one of respectable size and power. In the same way, there is a very good chance that James was given the middle name "Buchanan" to honor someone whose last name was "Buchanan," quite probably his mother. And for a first name they gave him the third most common name for boys, and maybe didn't realize that there was a President by that name. Especially if they were immigrants, or weren't very well educated. (A lot of people in that generation had only a grade school education, or maybe a middle school education; only 10% of all 14-17 year olds attended high school in the US in 1900; there were still states where even elementary school wasn't required until 1918!) James Buchanan is not one of the Presidents that people talk about much outside history classes, and even then, a lot of history classes don't go into a lot of detail on him besides "last President before the Civil War." Yes, he was a bad President and one of the reasons the US Civil War became inevitable, but there were a lot of factors that were a lot more important.

I think "we liked the name James, and we wanted to honor his mother's family by giving him their last name as a middle name" is a far more likely scenario than consciously deciding to name their kid after President James Buchanan.

On a completely different note, if you want to write an AU where Bucky escaped Hydra early and made a new life for himself ... there's a late-20th-Century composer named James Barnes. He wrote concert band music. Here are some of his pieces: Symphonic Overture, Symphony No. 2, Third Symphony ("The Tragic"), Fantasy Variations on a Theme by Nicolo Paganini, Alvamar Overture.

beatrice_otter

I use the same name everywhere so I am

beatrice_otter on AO3. Treats are awesome.

I would rather get a story you were happy with than "well, she said she liked x, so I guess I have to do x even though I don't like x and/or am not inspired that way." This letter is long with lots of suggestions and preferences if you find it helpful, but feel free to ignore it if it is not helpful. I'm fairly easy to please; I've been doing ficathons for a long time and am usually very happy with my gifts.

The most important thing for me in a fic is that the characters are well-written and recognizably themselves. Even when I don't like a character, I don't go in for character-bashing. If nothing else, if the rest of this letter is too much or my kinks don't fit yours, just concentrate on writing a story with everyone in character and good spelling and grammar and I will almost certainly love what you come up with.

I have an embarrassment squick, which makes humor kind of hit-or-miss sometimes. The kind of humor where someone does something embarrassing and the audience is laughing at them makes me uncomfortable. On the other hand, the kind of humor where the audience is laughing with the characters I really enjoy.

General Likes and Dislikes

Other things to keep in mind:

I like stuff that takes side characters and puts them center-stage, especially when the characters and/or actors are marginalized. I enjoy seeing them come to life.
I don't like it when marginalized characters get relegated to the sidekick/supporting/helper role so that it can be All About The White Dude.
I like it when female characters are more than just the Strong Female Character(tm) or The Nurturer.
I like fluff
I like angst with a happy ending
I like stories that make me think about things in a new way.
I like to know that culture matters to people, and to see how different cultures interact and where the clashes are.
I like unreliable narrators.
I like acknowledgment that different people can have different points of view without either of them being wrong.
I like stories that engage with problematic aspects of the source, and which deal with privilege in one way or another instead of sweeping it under the rug.
Worldbuilding is my jam, I am pretty much always up for explorations of why the world is the way it is. I love hearing about the economics, the politics, the religion, the clothing, the history, the folklore, all of that kind of stuff. And I want to know why it matters--how is all this cultural background stuff affecting the characters, the plot, everything. You don't have to do deep worldbuilding, but I'll enjoy it if you do.
I don't like it when plots hinge on characters being selectively stupid, or selectively unable to communicate. Like, if they are stupid or a himbo or whatever in general, or have problems communicating in general, that's fine! Or if they canonically have a blind spot in that area, again, it's fine. But if it's just "the only way I can think of for this plot to work is if the character spontaneously and temporarily loses half their intelligence and competence," then I'm going to spend the rest of the fic wondering why the character didn't just ____?
I like AUs, but not complete setting AUs (i.e. no highschool or college or coffee shop AUs, and especially not mundane AUs--nothing where you keep characters but drop most of the worldbuilding). I like fork-in-the-road type AUs, where one thing is different and the changes all result from that one thing, and you explore what might have been if such-and-such happened.
I like the concept of sedoretu marriages.
I like historical AUs, but only when the author actually knows the history period in question and does thoughtful worldbuilding to meld actual culture of the time with the canon.
Crackfic is really hit and miss for me, sometimes I love it and sometimes I can't stand it. Basically, if it's the characters we know and love in a ludicrous situation, that's great. If they're OOC or parodied in order to make something funny ... it's not funny to me.

I like plotty, gen stories, and plotty stories in general. I don't care for explicit sex, particularly when it's just thrown in for teh porn. I'm asexual; a lot of the time I don't even bother to read the sex scenes. Romance is awesome (as long as both are in character and the romantic plot doesn't hinge on one or both of them being an idiot). I love it when friendship is held up as important and not secondary to romantic relationships and blood ties.

Please no incest or darkfic. I define "darkfic" as stuff where there's a lot of suffering and no hope even at the end and all the characters are terrible. Angst with a happy ending is fine, I enjoy it, but there's gotta be a payoff. Even an ambiguous ending is fine! But there has to be some note of grace or redemption or hope somewhere, it can't just be "people are awful and the world sucks, the end." I define incest as siblings and/or parents, cousins don't count.

I love outsider perspectives and academic takes on things. In-universe meta (newspaper articles, academic monographs--especially with the sort of snarky feuding common in actual real-world academia, social media feeds in current day or future worlds) is awesome.

Also, I'm picky about European historical clothing details. You don't have to talk about it at all! In fact, if you don't know much about historical clothing, I would prefer if you didn't mention it at all. My pet peeve is corsets: no, they weren't a restrictive tool of the patriarchy, no, they didn't interfere with most women's daily lives, no, most women weren't wearing them so tight they couldn't breathe.

I like religion but I'm picky about it. Basically, Christianity is deeply weird compared to most other religions, and a lot of people whose only experience with religion is living in a culturally-Christian nation assume that what they know about Christianity is some sort of universal principle of What Religion Is Like, and that's just not the case. For example, in Christianity what you believe is more important than what you do. This is not to say we Christians don't teach and practice Christian ethics or have rituals we are very attached to, but rather that if you don't believe in Jesus Christ, it doesn't matter what rituals you participate in or what ethical things you do, you are not a Christian (although you may be a "cultural Christian"). Every Christian group has at least a minimal core theology that members must affirm, but participation in ritual is far less rigidly a requirement. Most other religions rank what you do (both ethically and ritually) as more important than what you believe, and it is often quite possible to be a member in good standing if you participate in the practices and rituals even if you believe none of the teachings. Anyway, point is, if you are doing worldbuilding for a fantasy or SF or otherwise non-Christian religion ... unless it is explicitly a Christian-analogue, it should be different from Christianity. Question your assumptions and see where that leads you, and I will be fascinated and thrilled.

Yuletide Challenges
I am opening this up to the following challenges: Wrapping Paper, Chromatic Yuletide, Transtide, Queering the Tide, Two For One, Three Turtledoves, and Yulebuilding. With Two For One and Yulebuilding, feel free to expand beyond what I've suggested here. I am always up for worldbuilding, and for crossovers with fandoms I've written or requested before.

( Fandom for Robots )

( Peter Wimsey )

( Rivers of London )

( Moana )

( Bruce Springsteen RPF )

( Caprica )

( Sense8 )

( Oh My General )
.

isis

Hiya! It's been a while! I blame Yuletide. (The preparatory work is a Lot, even with all the comods and tagmods who do an amazing job of putting things together. So, make me feel like it was worthwhile: go sign up! 😁)

But I have been consuming media!

What I recently finished reading:

Chaos Vector and Catalyst Gate, the second and third books in the space-opera Protectorate series by Megan E. O'Keefe. I enjoyed the series overall, though I feel like O'Keefe slowed things down and lost momentum after the sequence of clever twists from the first book. The actual story behind the story turned out to be less novel and captivating than I was expecting, and although a few of the reveals were "a-HA!" great, some parts just felt as though the worldbuilding was being done on the fly, and the plot built around to justify it.

The writing occasionally felt a little fanficcy to me, like, "let's express found family sentiment here! Let's throw in an obstacle that turns out not to be one!" but overall it was easy to read and fairly entertaining.

Europe in Autumn by Dave Hutchinson, which like the first book of the previous series is a reread so I can read the rest of the books in the series. This one I first read in 2014, and as with the Protectorate books, I am stunned at how much I completely don't remember at all. Here's my review from 2014:

A whole lot of elements in this book hit my buttons perfectly. There is the alternate-history/near-future aspect, which centers on the interesting idea that the EU has not just fallen apart but splintered into dozens of tiny pocket states (and I have to say, there was a strange resonance to reading the bit about Scotland's explosive parting from the UK only a month after the real-world vote failed). There is the largely Eastern European setting, the Estonian and Polish and Hungarian characters, which read delightfully exotic to this American (though I wonder how it will read to my European friends!). The writing is strong, never getting in the way of the story but frequently delighting me with clever phrases and evocative images, exactly the style I love reading. And I adored the idea at the heart of the eventual reveal.

But...there were problems. The pacing was a little odd, slow to get going, with scenes (or parts of scenes) that did not obviously contribute to the story. Some, granted, played a part later. But it didn't feel tight to me; yet at the same time, there were all these questions that were answered in oblique ways, or left hanging such that clearly the reader was supposed to connect invisible dots, which made me feel a bit too stupid for the clever author - not as bad as Ken MacLeod's books make me feel (and there were bits of this that were reminiscent of his The Execution Channel, but along those lines. And the cool reveal I mentioned above comes practically at the end of the book - but when I hit it, I felt, that is what I want the book to be about! Not all this preparation stuff! And there wasn't enough about the cool part!

I mostly still agree with this, though I now think the pacing works better for me, maybe because I missed some details before or failed to understand how a later section made use of information from an earlier one. Also - there was an offhand bit of building up the undergirdings of this near-future world, the why of Europe having splintered into micro-polities, involving a pandemic of the "Xian flu" which "had brought back quarantine checks and national borders as a means of controlling the spread of the disease..." and I was, holy shit, this was published in 2014. (This fictional pandemic was 10-20x more deadly than Covid-19, which was certainly bad enough.) Other contributors to European disunity were "Economic collapse, paranoia about asylum seekers – and, of course, GWOT, the ongoing Global War On Terror," and about there I started thinking damn, if it wasn't for the Great Uniter (of everyone else against him) this would be playing out right now...and maybe it will play out here, as the states attempt to sort themselves by political party.

I guess the point is, I enjoyed reading this both as an escape and also as a a warning. On to the second book, which according to my notes I read in 2016 and liked even more (because it was mostly about the cool thing at the end of the first book)!

What I recently finished watching:

Two episodes of Resident Alien which was too cringe for me. I liked the concept, in theory? But the execution was excruciating.

Foundation S3, which - well, another way that civilizations crumble, I guess. I enjoyed it, particularly watching the various Cleons diverge from their assigned paths, but alas the problem with a generation-spanning epic is that the characters you liked in a previous season are (mostly) long dead now. Probably my favorite part was Bayta (and Toran, I guess) who felt very much like Star Wars characters to me.

What I'm still playing but not for much longer:

I'm about to start the endgame sequence (at least, that's what the quest screen tells me) of Dragon Age: The Veilguard. Time to kill those pesky gods!

thefourthvine

Dear Yuletide Writer,

Hi!

I am going to provide you with all the details I can, because that is who I am as a person. Thank you so, so much for writing in one of these fandoms. See you on the 25th!

(And if you're not my writer, thank you for looking at my letter! I am entirely open to treats of any length.)

( Likes/DNWs and General Stuff )

( Between Silk and Cyanide -- Leo Marks, Leo Marks, Forest Yeo-Thomas )

( blink-182 )

( Blue Prince, Worldbuildling, Simon P. Jones )

( Nomads, Eileen Flax, Veronique Pommier )